Installation view
Morgan Ritter
Venn diagram of subjects who don’t belong in a venn diagram, 2010-2018 (detail)
Walking rope silk unit, digitally printed poly crepe de chin, silk, and acrylic thread
31 x 31 x 1 inches
Morgan Ritter
Venn diagram of subjects who don’t belong in a venn diagram, 2010-2018
Walking rope silk unit, digitally printed poly crepe de chin, silk, and acrylic thread
31 x 31 x 1 inches
Morgan Ritter
Venn diagram of subjects who don’t belong in a venn diagram, 2010-2018 (detail)
Walking rope silk unit, digitally printed poly crepe de chin, silk, and acrylic thread
31 x 31 x 1 inches
Dana Dart-McLean
Light house with opposing leaves, 2018
Papier-mâché, gouache, cardboard, clamps
20 x 16 inches
Dana Dart-McLean
Light house with opposing leaves, 2018
Papier-mâché, gouache, cardboard, clamps
20 x 16 inches
Morgan Ritter
There is no fixed position (on Protection Blanket), 2017-2018
Oil stick on paper framed in maple on moving blanket, pigtail girl charms,
upholstery nails, silk, alpaca, acrylic thread, and “Somebody cares” tag
82.25 x 71.75 x 2 inches
Morgan Ritter
There is no fixed position (on Protection Blanket), 2017-2018 (detail)
Oil stick on paper framed in maple on moving blanket, pigtail girl charms,
upholstery nails, silk, alpaca, acrylic thread, and “Somebody cares” tag
82.25 x 71.75 x 2 inches
Dana Dart-McLean
Self Portrait/Landscapes, 2018
Papier-mâché, gouache, cardboard
17 x 8 x 7 inches
Dana Dart-McLean
Self Portrait/Landscapes, 2018
Papier-mâché, gouache, cardboard
17 x 8 x 7 inches
Johanna Jackson
8 Years in LA, 2018
Cotton canvas, cotton flannel, and thread
82 x 93 x 1.5 inches
Morgan Ritter
69 girls Strong-Tie, 2017
Basket, paper fruit holder, pigtail girl charms, strong-tie, string
21.5 x 15.5 x 6.25 inches
Morgan Ritter
69 girls Strong-Tie, 2017 (detail)
Basket, paper fruit holder, pigtail girl charms, strong-tie, string
21.5 x 15.5 x 6.25 inches
Johanna Jackson
Three Pairs of Slippers, 2018
Felt
9.5 x 9.5 x 3 inches each
Johanna Jackson
Four Cups, 2018
Porcelain
Various, 4 x 5 x 3 inches at largest, 3 x 3 x 3 inches at the smallest
Johanna Jackson
Four Cups, 2018
Porcelain
Various, 4 x 5 x 3 inches at largest, 3 x 3 x 3 inches at the smallest
Johanna Jackson
Four Cups, 2018
Porcelain
Various, 4 x 5 x 3 inches at largest, 3 x 3 x 3 inches at the smallest
Johanna Jackson
Four Cups, 2018
Porcelain
Various, 4 x 5 x 3 inches at largest, 3 x 3 x 3 inches at the smallest
Morgan Ritter
Confronter Fountain Component, 2017
Ceramic
10 x 3 x 3 inches
Morgan Ritter
Confronter Fountain Component, 2017
Ceramic
10 x 3 x 3 inches
Installation view
Johanna Jackson
Three Pairs of Slippers, 2018
Felt
9.5 x 9.5 x 3 inches each
Johanna Jackson
Mirror, 2018
Ceramic, mirror
5.5 x 6.5 x 0.5 inches
Installation view
Johanna Jackson
Three Pairs of Slippers, 2018
Felt
9.5 x 9.5 x 3 inches each
Dana Dart McLean
Interrupter A, 2018
Papier-mâché, gouache, cardboard
6 x 5 x 4 inches
Installation view
Johanna Jackson
Four Cups, 2018
Porcelain
Various, 4 x 5 x 3 inches at largest, 3 x 3 x 3 inches at the smallest
Johanna Jackson
Four Cups, 2018
Porcelain
Various, 4 x 5 x 3 inches at largest, 3 x 3 x 3 inches at the smallest
Johanna Jackson
Three Pairs of Slippers, 2018
Felt
9.5 x 9.5 x 3 inches each
Johanna Jackson
Three Pairs of Slippers, 2018
Felt
9.5 x 9.5 x 3 inches each
Johanna Jackson
Three Pairs of Slippers, 2018
Felt
9.5 x 9.5 x 3 inches each
Installation view
Installation view
Installation view
Morgan Ritter
Corn Office Telephone, 2017
Ceramic
11 x 4 x 3 inches
Morgan Ritter
Nesting Doll of White Corn and Putty Balls, 2015
Pastel, oil stick on paper, framed in walnut
18.5 x 14.5 inches
Installation view
Installation view
Morgan Ritter
The New Venus Mysters, Body., 2013
Ritter wants to believe that a potato at the farmer’s market resembles the Venus of Willendorf. Aluminum is sourced from beer cans
8 x 3 x 3 inches
Morgan Ritter
The sea is dimensional yet without surfaces (with Walking Ropes), 2018
Moving blanket, silk, alpaca, and acrylic thread, broomstick
82 x 71 inches
Morgan Ritter
The sea is dimensional yet without surfaces (with Walking Ropes), 2018 (detail)
Moving blanket, silk, alpaca, and acrylic thread, broomstick
82 x 71 inches
Morgan Ritter
The sea is dimensional yet without surfaces (with Walking Ropes), 2018 (detail)
Moving blanket, silk, alpaca, and acrylic thread, broomstick
82 x 71 inches
Dana Dart-McLean
Interrupter B, 2018
Papier-mâché, gouache, cardboard
7 x 6 x 4 inches
Dana Dart-McLean
Interrupter C, 2018
Papier-mâché, gouache, cardboard
7 x 6 x 4 inches
Et al. etc. presents
Opening a Can
Dana Dart-McLean
Johanna Jackson
Morgan Ritter
March 16 - April 28, 2018
Reception: Friday, March 16, 6:00 - 9:00 p.m.
Opening performances by Cat Mahatta and Julius Smack at 8:30 p.m.
Et al. etc. is excited to present a three-person exhibition with work by Dana Dart-McLean, Johanna Jackson, and Morgan Ritter.
Dana Dart-McLean makes work about language, humor, memory, and narrative. She combines painting, drawing, sculpture, and installation to explore how sequence and relations between elements create different moods or affective resonances, surfacing themes of power dynamics, romanticism, legibility, and misunderstanding. Her art practice is influence by her work and training as a psychotherapist. She has shown her work in Copenhagen at Nicolai Wallner Gallery, in Chicago at Western Exhibitions, in Portland at PMOMA, and in Los Angeles at Human Resources, among other exhibitions.
Johanna Jackson was born in 1972 in Springfield, Massachusetts and currently lives and works in Los Angeles and Portland, Oregon. Solo and two-person exhibitions include: “dust” at Adams and Ollman, Portland; ”bow bow" with Sahar Khoury at CANADA, New York; “The Middle Riddle” with Chris Johanson at the Journal Gallery, Brooklyn; "What It Means to Learn" with Dana Dart-McLean at Human Resources in Los Angeles; "The Big Fig" at the Portland Museum of Modern Art, Oregon; and “Money on Fire,” a video commission for the Museum of Contemporary Art in Los Angeles. Her work has also been exhibited in group shows at the Oakland Museum of California; Marlborough Gallery, New York; Roberts & Tilton, Los Angeles; and the San Francisco Museum of Modern Art; among others.
Morgan Ritter is an artist and poet living in Portland, Oregon. Her work has recently been shared within Artists Space (New York), Shanaynay (Paris), LUMA Foundation (Zurich), Rongwrong (Amsterdam), The Whitney Biennial 2017 (New York), and Bridget Donahue Gallery (New York), among others. In 2016, Morgan was awarded an Emergency Grant from Foundation for Contemporary Arts (New York) and a project grant from Regional Arts and Culture Council (Portland). In 2013 and 2015, she was nominated for Henry Art Gallery’s (Seattle) Brink Award and in 2014 for Portland Art Museum’s Contemporary NW Art Award.